Author : Ümran BULUT
Type : Özgün Makale
Printing Year : Temmuz 2020
Doi Number : http://dx.doi.org/10.29228/ijiia.126
Number : 10
Term : 5.Cilt Haziran/Temmuz Yaz Dönemi
Date : 2020-05-25 03:05:12

ABSTRACT


It was almost inevitable for painters to paint with their own unique excitement, enthusiasm, chill and aesthetic concerns in the history of the art of painting that warmed and deeply affected people. Artifacts, which sometimes seem to consist solely of the composition of horses and warriors, have gone beyond its era with a certain style of mobility and semanticity that it loads. The Anghiari pre-painting drafts and patterns, which are tried to be evaluated in many aspects in this article, are the relationship between Leonardo da Vinci's drawings and the ambition and intimidation he wants to create in the picture. This is no stranger to us; we know very well that the processes of curiosity, questioning, skepticism, and acquisition in the human brain are not at all peaceful enough to be described passively, and we understand it every day. Thus, it is true to say that the Anghiari War is the first original work created in the form of war pictures of the painful struggle given by the human drawings.

Keywords

Battle of Anghiari, Leonardo da Vinci, Renaissance
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