Author : Süreyya TEMEL
Type : Özgün Makale
Printing Year : Aralık 2018
Doi Number : http://dx.doi.org/10.29228/ijiia.6.67
Number : 6
Term : 3.Cilt Kasım/Aralık Kış Dönemi
Date : 2018-12-17 18:56:22

ABSTRACT


Simplicity (minimalism), an important aesthetic marker in plastic, stage, and visual arts, further elucidates the sparkle of intelligence in the work when the sub-text is filled in. Less is more is the key word for stage design with overdesign pure design features. Trying to explain a lot with a little thing is another kind of problem-solving art. Architect Mies Van Der Rohe, who brought this motto to the world of modern art. To simplify, reduce, and minimize with another expression. Minimalism, which advocates the objective approach, aims to simplify any idea, form, line, texture, or reduce it. Another alternative is to provide economic designs with little material. That is the design economy. Along with postmodern understanding, minimalism has become an important design concept in stage design as well as in plastic and visual arts. Since the stage design is a cooperative process in the process of transferring the work to the stage, it is a function that strives hand in hand with the staging style. The stage design, functional visuality away from the decorative visual, the more important it is to be functional, the more important it is to simplify the design. Therefore, it is expected that the design process, which is an entire element, moves from the same channel to the play. That is, the designer should walk together with the text relation, the designer director relation, the designer script editor relation. Less is more design concept In this study, the evaluation of comparative stage designs will be done through various plays.

Keywords

stage design, theater, decor, minimalism, less is more
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