Author : Atalay MANSUROĞLU
Type : Özgün Makale
Printing Year : Aralık 2022
Doi Number :
Number : 15
Term : 7. Cilt Kasım/Aralık Kış Dönemi
Date : 2022-11-21 13:47:30


Definitions made to explain the concept of migration are incomplete in many respects. This is due to the dynamic nature of the concept of migration. Migration, whose history is as old as the history of humanity, in its simplest form; Although it is defined as going from one place to another, it is a subject that needs to be examined in terms of the fields it is related to, and with different aspects. Migration has an important place in today's economic, social, cultural and political development. Man affects the geography he is in, and at the same time is affected by all the conditions of that geography. Migration, especially in terms of cultural dynamics, is a process that has significant effects for both the immigrant and the migrated geography. A person who frequently resorts to his memory in order not to break away from himself, often feels himself as the other in the geography he migrated to. Therefore, rather than a forced or voluntary migration, the consequences are similar for people. These results created the need for people to express their feelings and thoughts. The interaction of art with migration also stems from this need. In this study, the perspectives of Tiraje Dikmen and Gülsün Karamustafa, who deal with the issue of migration in Turkey in their art, are discussed in line with the sources and work analysis obtained within the scope of literature review. Five works selected from both artists were evaluated by using the descriptive research method, one of the qualitative research methods, and the result was tried to be reached. There are similarities and differences in the artistic approaches of both artists on migration, but the common denominator of both artists on migration has been the element of individual and social change.

Keywords :

Migration, Human, Art. Tiraje Dikmen, Gülsün Karamustafa
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